Sunday, February 26, 1950

—by Mary Lou Egan

The Grant Smelter Smokestack in Globeville

The story and photos occupied several pages of both the Denver Post and the Rocky Mountain News. KOA Radio carried the broadcast live and a score of airplanes flew overhead. An estimated 100,000 people gathered near the site while an additional 250,000 watched the event from rooftoops and ridges all over the city. The occasion was the demolition of the Grant Smelter smokestack, a 350-foot remnant of Denver’s glory days of mining and smelting.

The giant chimney had been built in 1892 as part of an expansion of the Omaha and Grant, Denver’s largest smelter. It was the tallest structure in the region and a symbol of a time when smelting was the city’s largest industry.

A year after the completion of the stack, the nation experienced a depression that hit mining and smelting hard. Changes in technology, the depletion of rich ores and labor unrest brought the halcyon days of smelting to an end. The Omaha and Grant Smelter closed in 1903 and was gradually dismantled, until only the enormous smokestack remained. Neighborhood children used the stack as their private playground, riding their bicycles in and out, and daring each other to climb its steep walls. Retired fireman Ed Westerkamp was one of those kids. “We used to play around that old Grant Smelter stack.

There were a couple of ponds there and hills we could ride our bikes up and down.”
Various economic proposals for the giant chimney were made over the years, including its use as an incinerator for the city’s refuse. There were arguments for its preservation as well as for its demolition, but, in the end, issues of safety and economics won the day.

Sunday, February 26, 1950, was the day selected for the demolition. Officials and spectators began arriving at the site at 9 am and listened to speeches as preparations were finalized. The Denver Post eulogized the stack, “From its mighty mouth. . .spewed the smoke from rich ores that flowed through its smelter by the millions of tons.” Mayor Quigg Newton added, “I think we’re all sorry to see the stack go, but it was one of those things that had to be done.”

The crowd remained patient through delay after delay. Finally, at 5:00pm, Fred “Tombstone” Backus, a veteran powder man, turned over the detonator to Thomas Campbell, Manager of Improvements.

A second later a series of five blasts, each two seconds apart, exploded in the base of the 7,000-ton tower. This was the moment when the stack was expected to fall westward into a dump area. Nothing. It took three more blasts and “a million bricks crashed to earth and a blinding cloud of cement and dust enveloped the officials and spectators.” Half of the tower remained standing. Seventeen minutes later, as people were examining the damage, there was a rumble and another section suddenly collapsed. It would take more dynamite on the following day to finish the job.

Grant Smelter Smokestack Falling

Denver was pleased with itself for shedding its frontier image. The city was growing, with a modern interstate highway and sleek new buildings changing the downtown skyline. The city’s newest addition, completed and dedicated in 1952, would be the Denver Coliseum, replacing the smelter stack, a crumbling symbol of Denver’s industrial past.

Denver Coliseum

B50 Note: Mary Lou Egan is a professional graphic designer and watercolor artist who also enjoys history and preservation, and writes and maintains the Globevillestory blog. Photos of stack courtesy of Janet Wagner. Photo of coliseum courtesy of Ian Denny.

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Pale Horse, Pale Rider

They walked out together into the fine fall day, scuffling bright ragged leaves under their feet, turning their faces up to a generous sky really blue and spotless. At the first corner they waited for a funeral to pass, the mourners seated straight and firm as if proud in their sorrow. […] “It seems to be a plague,” said Miranda, “something out of the Middle Ages. Did you ever see so many funerals, ever?”
— from “Pale Horse, Pale Rider” by Katherine Anne Porter

Article by Charles Mercer, originally published in the Denver Post, March 22, 1956 (page 29c).

One of the best stories published in America in the past 25 years is “Pale Horse, Pale Rider” by Katherine Anne Porter. Tonight it is televised on “Climax.”

“Pale Horse, Pale Rider” is a quietly-written story of a young newspaper woman who falls in love with an army lieutenant during World War I as he is about to leave for overseas. She is stricken with the flu and he cares for her until he too falls ill. He dies, but she survives. From her suffering she—and the reader—finds maturity and nobility of character in the will to live.

The title is from a Negro spiritual: “Pale horse, pale rider, done taken my lover away . . .”

Whether the TV adaptation coveys the mood and self-discovery and wisdom of this excellent story I do not know; I haven’t read the script. And neither has Miss Porter, she said the other day when she came to town from the country house in Connecticut where she is completing her first full-length novel. She is a beautiful woman of 61 with white hair and shining blue eyes.

While pleased at having a wide audience of readers, she writes only to please herself—and only from her own experience. Discussing “Pale Horse, Pale Rider,” she said:

“I was quite young during World War I in Denver and I had a job on Rocky Mountain News. Bill the city editor (the city editor of her story is named Bill), put me to covering the theaters. (Miranda, her protagonist, covered the theaters.)

“I met a boy, an army lieutenant . . . Our time was so short and we were much in love. But we were shy. It was a step forward and two steps back with us . . . I was taken ill with the flu. They gave me up. The paper had my obit set in type. I’ve seen the correspondence between my father and sister on plans for my funeral . . .

“I knew I was dying. I felt a strange state of—what is it the Greeks called it? — euphoria . . . . But I didn’t die. I mustered the will to live. My hair turned white and then it fell out. The first time I tried to rise to a sitting position I fell and broke an arm. I had phlebitis in one leg and they said I’d never walk again. But I was determined to walk and live again, and in six months I was walking and my hair was grown back.”

“And the boy, Miss Porter?”

“It’s in the story.” At the sudden memory she fought back tears—and won gallantly. “He died. The last I remember seeing him . . . It’s a true story . . . It seems to me true that I died then, I died once, and I have never feared death since . . .”

B50 Note: Katherine Anne Porter (who received the Pulitzer Prize for Literature in 1965) was a reporter at the Rocky Mountain News during and after World War I (in 1918 and 1919); at the News, she worked as the theater editor, and also acted in a number of plays at the Little Theater, which had recently opened in Denver.

When she contracted influenza in October of 1918, during the height of the epidemic, she was denied access to any hospital as there were no beds available. Between September 1918 and June 1919 nearly 1,500 denver residents died due to influenza and its complications. For more on the effects of the pandemic in Colorado, read “The 1918 Influenza Outbreak: An Unforgettable Legacy” by Stephen J. Leonard, chair of the history department at Metropolitan State College of Denver.

In 1939, Katherine Anne Porter published her short novel, “Pale Horse, Pale Rider,” based on her experiences in Denver.

During much of her time in Denver, Katherine Anne Porter lived in a rooming house located at 1512 York Street. You can read more of her time here in Tom Noel’s Literary Tour of Denver.

The final lines of “Pale Horse, Pale Rider” are as follows:

No more war, no more plague, only the dazed silence that follows the ceasing of heavy guns; noiseless houses with the shades drawn, empty streets, the dead cold light of tomorrow. Now there would be time for everything.

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Drive By History, Part 3: National Humane Alliance Fountain




It says thusly:
1907
Presented by
The National
Humane Alliance
Hermon Lee Ensign
Founder

B50 Note: Between 1906 and 1912, the National Humane Alliance presented somewhere around 125 Horse Watering Troughs to cities and towns across the country, including Denver. Hermon Lee Ensign, who died in 1899, dedicated his fortune to funding the National Humane Alliance in order to “spread about humanitarian ideas among the people.” Such education, Ensign hoped, would instill in people, “especially the young, ideas of humanity both to the lower animals and to each other.” The fountains were produced in Vinalhavan, Maine. One of the fountains was recently relocated to a park in Derby, Connecticut — the community has a web page that offers great information.

The Denver fountain is located in a small paved triangle in the Civic Center District, where Colfax, Tremont, and 13th intersect. Unfortunately, the fountain no longer works, and the basin is filled with soil, which makes it hard to recognize its original purpose. The following photo was taken by Harry Rhoads in 1920 (courtesy of the Western History Department of the Denver Public Library).

Humane Alliance watering fountain at the intersection of Colfax & Tremont photo by Harry M. Rhoads. 1920.

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Photographing Denver 1984–1992

—by Kim Allen

Back in the 80’s and 90’s I photographed some of Denver’s architecture. This period was the transition of some of Denver’s past architectural heritage and merging of contemporary designs. I had to document some of these buildings before they were gone; it was a tremendous experience. Buildings have a little bit of us in them, and we in them, we need each other. Let us go out and revisit some of these links of our lives in a brief little journey.

1.) Wynkoop’s founding members. On a bright fall day, certainly deserted in lower downtown, some dreams and a wonderful building were fermenting to add to an emerging civic pride in Denver. I had an appointment with the “crew” at the Wynkoop Brewing Co. and walked into a bustling construction project. Sawdust on the floor, I could envision the sight and smell of beer and its enthusiasts. The large sign, “Wynkoop Brewing Company,” was a perfect backdrop for some of the founding members as they proudly stood below. Amid the grime and abandoned streets and buildings, the group and dog excitedly were captured on film. It is one of my favorite photographs. 1988

2.) Auditorim Arena/Temple Buell Theatre. It was a Sunday morning, back in the day a great time to jump over a fence and look onto memories. I had danced in elementary school on that floor, seen concerts and basketball games. On the corner of 13th and Champa, we picked up our baseball uniforms as members of ” The Oldtimers League ” as youths. I looked onto the floor and the balcony seats dismanting, a huge mechanical crane now at the “freethrow line.” The seats wrapped around me. High up, the long windows welcomed beautiful rays of sunshine casting down. It was exciting and sad at the same time to view this scene. 1992

3.) Manuel Martinez Mural. Sanchez Park, 13th and Federal Blvd. This image repesented the Spanish heritage of Denver. I would think of the Indians as well, the Platte River just beyond, and nearby Cherry Creek. The mural, an homage to nature, contrast with downtown, different worlds, never to meet. 1986

4.) Elitch Theatre. The theatre was inviting and charming, intimate and glowing. All the wood, the chairs and beams grace a gentle atmosphere. Hosting many high quality plays, the amusement park was relocating, and the theatre would not be able to make the move. A special place, soulful and peaceful. 1992

5.) 16th St. Viaduct looking S.E. over Platte St. and into lower downtown. A long and strong viaduct piercing the valley from the Highlands to downtown. Above the ground 25 feet, the blacktop road and steel handrails connect the neighborhoods. Central St. to the west, and Wazee St. to the east, and spanning Platte St. Remember those stairs up from the ground at various points, leading to the bus stops? 1984

6.) Mammoth Gardens grand re-opening. The Fernandez family owed the gardens, revitalized it and had a wonderful party to open it again. Over the years roller skating and even some rock and roll concerts in the late 60’s had been at the gardens. Tonight belonged to the Fernandez family and the great Tito Puente Band to entertain the dancing, and seated crowd, at large round tables. It was impressive, happy and exciting. 1992

7.) The Acme and Volker buildings were some of the first restorations into lofts in lower downtown. Two beautiful sleeping warehouses between the Speer Viaducts, cars racing by in each direction, soon welcomed sunshine and life would return to the buildings. This would be the start of revitalization of LoDo and help energize the entire city, our pride was back. I will mention the names of the people that gave us a great vision to complete these wonderful buildings and still continue on with the vibrant projects. Dana Crawford, Larry Nelson, Joe Simmons, Mickey Zeppelin and Charlie Woolley. 1985

8.) 16th St. looking north on Wazee St. where some of the revitalization was beginning, with Stuart Buchanan fine antiques and Oxford Hotel on the left and Rockmount Ranch Wear and the Terminal Bar on the right. Firemens Gain Elevator at the end of Wazee St. in the middle of image. It was a great (still) area, the neighborhood had numerous projects, the Edrooke, the Wynkoop, Acme and Volker. The Oxford Hotel and Cruise Room . . . and the Terminal Bar. 1988

B50 Note: Kim Allen is a photographer who extensively chronicled the changes that occurred in downtown Denver in the 1980s and 1990s. For more information on Denver during this era, visit Kim’s website at denverphotoarchives.com. Photographs and text are provided courtesy of the artist (©1884-1992).

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Silas Soule, Assassinated

Captain Silas Soule in 1865. Courtesy of Byron Strom.

Captain Silas Soule in 1865. Courtesy of Byron Strom.

Rocky Mountain News
April 24, 1865 p. 2 c. 1

The Homicide Last Night

Our city was thrown into a feverish excitement last evening by assassination of Captain S. S. Soule, of the Colorado First. The sad affair took place about half past ten o’clock, and was evidently coolly and deliberately planned, and as systematically carried out.

For some time past the Captain had been in charge of the provost guard of the city and neighborhood, and his duties in that capacity had, as a natural consequence, created many enemies. Threats against his life have been freely and frequently made – so we are informed – and no longer ago than yesterday he said that he was expecting to be attacked.

In the evening he and his wife were visiting at the house of a friend and returned home between nine and ten o’clock. Shortly after, a number of pistol shots were fired in the upper part of the city, evidently to decoy him out, and the Captain started to ascertain the cause. Whilst passing along Lawrence Street, Near F, and directly in front of the residence of Dr. Cunningham, he seems to have been met by the assassin, and the indications are that both fired at the same instant, or so near together that the reports seemed simultaneous. Probably the Captain, expecting to be attacked, was in readiness, and when the other man presented his pistol, he did the same, but the intended assassin fired an instant soonest, with but too fatal effect.

The ball entered the Captain’s face at the point of the right cheek bone, pressing backward and upward, and lodging in the back part of the head. He fell back dead, appearing not to have moved a muscle after falling. The other man, from the indications, was wounded in the right hand or arm; how severely is not known. His pistol was dropped at his feet and he immediately started and ran towards the military camp in the upper part of the city, leaving a distinct trail of blood where he passed along. When the shots were fired they were standing about four feet apart, face to face.

Within less than a minute after the fatal shot, one of the provost guard and Mr. Ruter reached the spot. The Captain was already dead, and his murderer had disappeared. They alarmed Dr. Cunningham, and a guard was sent for. A number of persons, soldiers and civilians, soon gathered around, and after a few minutes the body was removed to the building occupied by the officers of the Headquarters of the District.

The excitement this morning, when the facts became generally known, was intense. Hundreds of citizens visited the scene of the tragedy, and it has formed the burthen of conversation throughout the city all day. Patrols were dispatched in every direction, and it is hardly possible that he will escape more than for a day or two.

Probably he will be overtaken to-day. Of his identity we shall at present refrain from speaking, though there is scarce a doubt but it is clearly known. The cause is said to have grown out of an arrest made by the Captain in the discharge of his duty as Provost Marshal.

Captain Soule was highly respected by his brother officers, and beloved by the men in his company. He was married in this city on the 1st inst., and consequently leaves a young wife to mourn this terrible and untimely fate. It is the hope of all that his murderer and his accomplices will be speedily brought to judgement, and a punishment meted out to them such as the base crime deserves.

B50 Note: Silas Soule was assassinated in Downtown Denver (on Lawrence Street, between what is now 15th and 16th) on the evening of April 23rd, 1865, just three weeks after his marriage to Hersa (Coberly). Silas Soule is best remembered for his presence at the Sand Creek Massacre, where he refused to allow the men of his company to fire on the peaceful Cheyenne and Arapaho encamped there. He was also present at the Camp Weld Council, where he was photographed with Black Kettle, White Antelope, Amos Steck, Ned Wynkoop, and others.

Though no connection was ever proven, Ned Wynkoop maintained that Soule had been murdered in retaliation for his testimony against Colonel John Chivington in the congressional inquiry regarding Sand Creek. Both Silas Soule and his wife Hersa are buried at Riverside Cemetery in Denver.

For more biographical information on Silas Soule, visit Byron Strom’s site, silas-soule.com.

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